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Curios. Craft. Chaos.

Born of a living work.
Awake in the hands of those who practice.

Wares

It starts with curiosity, follows as craft, and comes alive in the working of one’s own magick.

Some wares are available now, others are commissioned. Each finds its person.

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The Lot

Ten coins, ten aspects, each with two faces. Cast them all when the question is open. Cast a chosen few when you already know the forces in play and only need to see how they’ve turned.

The reading lives in the pattern, not the single coin. Read slow. Let the spread settle before you name it.

HEART · love · loss
FLAME · spark · ash
TIME · left · spent
CYCLE · start · end
GUARD · held · struck
SIGHT · out · in
LIGHT · seen · hidden
UNITY · one · many
CUP · empty · full
FORTUNE · crow · clover

Sample TossSight in. Light hidden.
Cup full. Fortune crow. Unity one.
The visible coins turned away, and yet the cup came up full. This is yours alone, and not ready for daylight, but something is already gathered here that you haven’t looked at directly. The crow is watching it for you. Ask the narrower question. The answer is in the cup. You just haven’t tipped it to the light.

$62 | Contact for purchase options

Made in small runs, never many at once.
Light or dark color theme.

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Cast & Ask

Ask two ways from one tool. Cast into the tray on the one face, swing a pendulum on the reverse, and let the question choose how it wants answering.

Lay your charms, coins, or bones in the tray and read where they fall. Turn it over for the slower question, the one a pendulum answers in its own time. One object, two ways to ask, depending on what the working needs.

No two share a size or shape. Each comes as it comes, and the form it arrives in is part of what it is. Made for the practitioner who wants a fixed ground for the cast, something that ages with the asking and learns the weight of your hands.

Starts at $78 | Contact to commission

Each its own, no two alike. Size and shape vary.
Pendulum and Cast charms not included.

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Fatem Bones

Five dice, five questions: what force, which actor, what timing, how the energy moves, by what method. Toss all five to draw a full formula. Toss only the dice your working leaves open.

The bones don’t predict. They compose. Read them as a sentence, and the shape of the spell is in your hands before you’ve cast it for real.

FORCE · fire · water · air · earth · monad · spirit
ACTOR · solo · group · shadow · work · world · spirit
TIMING · now · soon · turning · threshold · mystery · chance
ENERGY · inward · outward · still · transform · sudden · cyclical
METHOD · meditation · ritual · chant · offering · blessing · destruction

Sample toss:Spirit, shadow, mystery, transform, ritual.Something you keep in the dark is meant to change. You can’t yet say when, but you know how: by your own rite, repeated until it takes. The bones left the timing blank on purpose. Build the ritual now. The hour will announce itself once the work is ready to receive it.

$62 | Contact for purchase options

Made in small runs, never many at once.
Light or dark color theme.

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Ragfolk

A body to make a someone of. Upcycled cotton and natural cloth, weighted at the hands and feet with salt and herb, and left plain for you to finish, a ward, a poppet, a surrogate, whatever you sew it into being.

They come plain on purpose. A blank body, faceless, waiting. Sew the sigil. Draw the mark. Give it eyes, a mouth, a heart, a name. Stitch in what it needs to hold and bind shut what it needs to keep. The salt and herb in the limbs are already working; the rest is yours to set.

This is for the practitioner who needs the vessel and not the reason. No instruction comes with it. None should.

Starts at $44 | Contact to commission

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Scrywells

A dark deep enough to scry into. A frame with a well behind it, and in that well, black, set back from the glass so nothing comes between you and it.

A well to gaze into, and nothing to pull the gaze away. Present and empty in the same moment, it holds still until you settle, and then the stillness gives. The surface comes alive with what it has to show, and all of it is what you brought.

Upcycled and aged. Some look older than they are. All are meant to.

$78 to $220 | Contact to
commission

Each is unique, no two alike. From small wells to large and shaped. Size, depth, and finish vary.

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Hagulum

A seeing-stone you can carry, swing, and look through. Holed by water long before it came to us, hung on a long chain from a ring made for the hand.

Long for a pendulum, and the length is the gift. Let it run a room and find the cold. Hold it at a doorway and read the swing. Ask it yes and no, or ask it nothing and wear it against the dark. Put your eye to the hole and look at what won’t sit still in plain sight.

Starts at $36 | Contact for purchase options

Each its own, found not made, no two alike.

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Bone Bells

A sound to mark a moment with. A bone sealed in wood, dry and small, that rattles when you shake it, something you can’t see and won’t get to.

Shake one to open a working or close it, to wake a space or settle it, to mark a moment so it doesn’t pass unmarked. No reading, no system. Just a voice you keep in your hand and use when a thing needs saying without words.

From $14 each · Sets of three from $38 | Contact for purchase options

Each its own shape and size, the bone inside hidden for good. Some go together. Most stand alone.

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Markstones

A surface to ask over or charge upon. Slate, cut and engraved, each marked with its own sign, some laid out to swing a pendulum across, some made to hold a thing and work on it slow.

Set your stone, your ring, your charm on the one that fits the working, and leave it to charge. Or hold the pendulum above and read the swing. The slate keeps cool and still and asks nothing of you but the question.

$22 each | Contact for purchase options

Each its own sign, no two cut quite alike. Choose the mark that answers what you’re doing.

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The Declarant

The power to make a thing final. A small gavel, simple and aged, marked with words and signs that mean what you decide they mean.

A gavel is for declaring. You say the thing, you bring it down, and what was loose is now fixed. Use it to close a working, to seal a decision, to make a vow land somewhere your body can feel it. Or use it for something we haven’t thought of. The marks are there to give your conviction a place to catch.

$16 | Contact for purchase options

What it’s for is what you make it for. We only gave it weight, and a few words worth believing in.

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Saltcord

A line of salt you can lay and lift again. Salt sewn into a long cloth channel, coiled to keep, unspooled to lay down where a boundary needs drawing. The oldest ward there is, made to be used more than once.

Lay it in a ring to hold a circle. Lay it across a threshold to keep what’s outside out. Take it into the grass and the garden, where loose salt would burn the ground, and lift it clean when the working’s done. The salt stays where it belongs, doing what salt has always done, and the earth keeps none of it.

Starts at $56 | Contact for purchase options

About thirty inches, give or take, each its own. Salt and cloth, and herbs if you ask. Coil it, keep it, use it again.

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Bane Box

A box made to close on something and keep it. What you put inside is yours, a thing to be bound, a working to be sealed, an ending you want held so it can’t come back. The box doesn’t care what it holds. It only holds.

Name the thing. Set it inside. Shut the lid. The closing is the working, and after that it’s kept, out of reach, out of sight, done. Some of these say as much across the lid, in words worn into the wood. Some say nothing and leave the saying to you.

What stays the same is the act: a lid, a thing inside, and the quiet of it being shut.

$32 to $160 | Contact to commission

No two are alike, from plain and small to ornate and strange, each its own box with its own past.

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Cinderwitch

A little witch made to burn. Write the thing on the scroll, tie it to her, say it once, and give her to the fire. She takes it with her.

The going is the working, and you’ll see it go. When she catches, the flame turns colors, a change you didn’t put there and can’t mistake. That’s her showing the thing is done, the wish taken and carried off. A small act, and a real one.

Scrap cloth, twine, and a scroll to fill. Burn her outdoors, and don’t wish for anything you want back.

From $16 each · sets of three from $38 | Contact for purchase options

Made in batches, sold one at a time, each her own.

WMFrewolfe handmade ritual tools and occult goods logo
WMFrewolfe handmade ritual tools and occult goods logo

Curios. Craft. Chaos.

Born of a living work.
Awake in the hands of those who practice.

Various workings and tools in an active ritual workshop - WMFrewolfe

Where these come from

Nothing here is fixed. Belief is a tool. You pick it up and you set it down. No system is wholly true, and every system is true enough to use. This you already know, or you wouldn’t have come this far in.
The works begin in that openness. Each one is made the way a working is made, with intent set into it and then left to rest, drawn from real practice rather than decoration borrowed to look the part. What leaves here is already alive. It carries its charge the way a thing does before it’s been used, whole, and only waiting. Not broken for sitting still. Just not yet woken.

A closer look at the workings and tools in the workshop - WMFrewolfe

What they are for

They wake in your hands. A work arrives inert and honest, a vessel with its meaning unassigned, because the meaning was never ours to set. We don’t hand you a finished spell. We hand you the part only you can finish. Your intent is the current. Your working is the switch. What the piece becomes is decided by the one who takes it up, and no two practitioners will wake the same object the same way.
This is the difference, said plainly. A thing made to arrive finished asks nothing of you but to own it. These ask more. They come the other way, the meaning left open, waiting on the hands that will wake them. You were always the one with the magic. We only build the things that can channel it.

A detailed look at the cabinet of baubles in the workshop - WMFrewolfe

How they come to you

Each work is singular, so each changes hands deliberately. There is no cart, by design. Some pieces are made and waiting; others are commissioned, made to meet a working you name, each priced to its mark and making. You reach out, and we answer. The acquiring is the first working: you name what you’re after, it’s made or matched, and it passes to you to be woken.
We make it. You mean it.

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Reach the Source

A closer look at a shelf in the workshop, a logo sigil is visible - WMFrewolfe

There’s no cart here. What’s made is singular, and singular things change hands deliberately. Tell me what calls you and we’ll settle it directly. Nothing past this point is automated. What you send, I read, and answer.

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A backyard crow perched on a birdhouse looking forward - WMFrewolfe

Your words have been received. Thank you.Everything past this point is real. No automation. I read and respond to each message myself, usually within a couple of days.Nothing more is required of you here.

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